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[Pinot Gallizio, Giuseppe] Medaglia in Bronzo Pinot Gallizio

20 Tuesday Feb 2018

Posted by elhajoui in Uncategorized

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[Pinot Gallizio, Giuseppe] Bianchi, Daniela. Medaglia in Bronzo Pinot Gallizio. Milan: Stab. Artistico O.M.E.A., 1997. 48 mm. diameter, 60 gr., two-sided bronze medal housed in red protective box.

Bronze medallion celebrating the legacy of Italian artist and Alba resident Giuseppe Pinot-Gallizio. Front side: portrait of Pinot-Gallizio. Back side: Partial view of the Piazza del Municipio in Alba, Italy. The medallion is the work of Daniel Bianchi (1963-)
Limited edition 150 pieces, ours n°057. With official box and bibliographical notice

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[Bauhaus Situationiste] Nye Linjer [1961]

19 Monday Feb 2018

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[Bauhaus Situationiste] Ed. Nash, Jorgen et al. Nye Linjer. Braband, Denmark, [Fall] 1961. 36 p.; ill.; 17 x 26 cm.; ill. Black and white wrappers with text in black.

Early, Danish language publication from the Bauhaus Situationiste, which was founded in 1960 by Jorgen Nash after he and his brother Asger Jorn acquired a 200 acre farm in Drakabygget in Sweden.

The one and only issue of this publication  includes articles by members of the Sitationist International, such as Jorgen Nash himself (he won’t be excluded until 1962), and J.V. Martin. “Manifeste”, which had originally been published in Internationale Situationniste 4 (June 1960), is reproduced here in its first Danish translation.

We locate 2 OCLC, at the Danish National Bibliography and Odense University in Denmark.

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PSA – Situationist Exhibit at the Lilly Library at Indiana University – Bloomington

08 Thursday Feb 2018

Posted by elhajoui in Uncategorized

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The Wounded Galaxies 1968: Beneath the Paving Stones, the Beach Festival and Symposium,a festival and academic symposium on the occasion of the fiftieth anniversary of May 1968, is taking place on Feb 5-11 on the campus of Indiana University in Bloomington. As part of this , the Lilly Library is hosting an exhibition around the Internationale Situationniste, featuring numerous items from my personal collection through Feb. 11. See pictures below

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Robert Chasse – Purple Ravens and the World at War [1966]

27 Saturday Jan 2018

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Chasse, Robert. Purple Ravens and the World at War. n.p. [New York, NY]: n.p. [Torch Bookstore], n.d. [1966]. 10 p.; 21 x 29.5 cm.; ill. light blue wrappers.

Born in the New England working class family in 1934, Robert Chasse formed the New York-based Council for the Liberation of Daily Life with Bruce Elwell and Tony Verlaan in Fall 1967. The group officially became the Situationist International’s American section in November, 1968. After an internal feud, Chasse and Elwell resigned from the SI in December, 1969.

These poems pre-date Robert Chasse’s involvement with the Situationists. Chasse worked for the Bread & Puppet Theatre where he helped create a few masks. Between 1966 and 1967, he edited two issues of Life Chants & Songs of Revolution. These poetry anthologies featured Chasse’s own poems, as well as those of founding members of the Living Theatre, such as Julian Beck and Judith Malina. Around that time, Chasse also published a mimeographed version of two of his poems – Purple Ravens and The World at War.

We locate two copies on OCLC, at Northwestern and the New York Public Library.

To learn more about Robert Chasse and the American section of the Situationist International, please refer to Ecrits de la section Americaine de l’Internationale Situationniste (CMDE, 2012), trans. and preface by Fabrice de San Mateo. The preface was translated into English by Not Bored! and is available here

Since thanks to Fabrice de San Mateo for the biographical information on Robert Chasse.

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Guy Debord – Original Correspondence with Magali [Clement] [1993]

04 Monday Dec 2017

Posted by elhajoui in Uncategorized

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Debord, Guy and Becker-Ho, Alice. [CORRESPONDENCE] Signed autograph postcard dated 01/10/[1993]. Not in Correspondance. 

Original correspondence between Guy Debord, Alice Becker-Ho, and Magali [Clement].

FRONT: Black and white photograph of “Le Minour – Champot”, Guy Debord’s rural residence. “Since 1974, Guy Debord had owned a cottage in the heart of Auvergne, next to Bellevue-la-Montagne, in an isolated hamlet known as Champot. The house is called Le Minour. As part of a housewarming celebration, a friend designs a postcard that will be circulated among close friends for the years to come” (Bourseiller 348, translation is mine). This is the postcard used here, part of this stash designed for Debord and his friends.

BACK: “Dear Magali. We watched your documentary – it’s always a pleasure to see Jeanne and her house again! Did the copy of ‘Cette Mauvaise Reputation’ sent to Ver-sur-Mer reach you? The address was a bit short, but I thought that your fame would help…I will call you as soon as we get to Normandy, in the first days of January. Warm embraces to you, Jeanne, and the others. Alice, Guy.”

Magali Clément was a friend of Guy Debord and Alice Becker-Ho. She was the daughter of Jeanne Clément, who had a restaurant in Paris, where Guy and Alice used to have dinner. Jeanne had a house near Champot where her daughter – Magali – directed the documentary “La Maison de Jeanne” (1988). She died in 2008, at age 60.

UPDATE: According to Andy Merrifield, Bourseiller was mistaken regarding the ownership of “Le Minour”, which was the property of Eugene Becker-Ho, Alice Debord’s brother.

 

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Formulary for a New Urbanism – two versions [2016]

27 Monday Nov 2017

Posted by elhajoui in Uncategorized

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[Chtcheglov, Ivan]. [Formulaire pour un Urbanisme Nouveau] Formulary for a New Urbanism – The Orderly Version. n.p. [Seattle, WA]: Oblivion Books, n.d. [2016].  Two-sided poster; 50 x 76 cm.. Offset-printed in black and red on 100 lb. white cover stock. Limited to 100 copies. The typography and layout by Fredrik Averin appropriates the celebrated psychogeographic “Naked City” map of Paris by Guy Debord (1957).

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[Chtcheglov, Ivan]. [Formulaire pour un Urbanisme Nouveau] Formulary for a New Urbanism – The Disorderly Version. n.p. [Seattle, WA]: Oblivion Books, n.d. [2016].  One-sided poster; 50 x 76 cm.. Hand-silk-screened in three colors on 100 lb. white cover stock. Limited to 75 numbered copies, 10 of which lettered A-L and signed by Averin and Guerriero (our copy “K”). The typography and layout by Fredrik Averin are inspired by the dynamic typography and advertising images appropriated by Asger Jorn and Guy Debord for their infamous book collaboration Fin de Copenhague (1957).

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From the publisher:

Heliotrope Institute and Oblivion Books present Ivan Chtcheglov’s “The Formulary for a New Urbanism” in a limited edition broadside format. “Formulary for a New Urbanism” was composed by Ivan Chtcheglov under the pseudonym Gilles Ivain when he was 19 years old. It was an internal document adopted by the Letterist International in October 1953. The “Formulary” also served as a poetic and theoretical foundation for the Situationist International, appearing in the first issue of their journal in June 1958. This visionary text set the tone for the themes that preoccupied Guy Debord and the Situationist International in their early “aesthetic” phase: a re-envisioning of all aspects of urbanism, the playful bodily practice of the drift, the rejection of prescribed uses of urban space and structures, the creation of transient and modifiable architectural forms, and the total transformation of everyday life to correspond with the pleasures and desires of the individual. Abridged by Guy Debord for the Situationist journal, here the “Formulary” has been edited to broadside form by Edward Guerriero for Oblivion Books. Reverently produced and overseen by Asher Dinn and Eddie Lee Sausage of Heliotrope Institute.

 

Interlude: Video from Red Victorian talk

29 Monday May 2017

Posted by elhajoui in Uncategorized

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On March 28, 2017 I gave a talk at the Red Victorian in San Francisco:

“Spectacular Commodities: A History of the Situationist International through its Cultural Productions”

I am happy to report that the talk has been recorded (unfortunately, the first 5-7 minutes are cut out) and now available to view here

The video was also uploaded to YouTube and is available here

More posts coming soon — I am currently moving my collection from the East to the West Coast and will resume posting sometime this summer.

Banalidades de Base [1972]

25 Saturday Mar 2017

Posted by elhajoui in Uncategorized

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Vaneigem, Raoul. [Banalites de Base] Banalidades de Base. Coimbra (Portugal): Livraria Almedina, 1972. 66 p.; 11.5 x 18 cm.; ill. cover with text in black.

First Portuguese edition. Translation and preface by Jose Mario Gomes.

The French text was first published in issue 7 and 8 Internationale situationniste (1962-1963) and was widely reproduced and translated thereafter.

We locate no copy in the trade or on OCLC.

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For a Situationist Revolution / Movement for a New Society [1977]

25 Saturday Mar 2017

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[Great Atlantic Radio Conspiracy]. For a Situationist Revolution / Movement for a New Society. 1 two-sided cassette tape; 10.5 x 6.5 x 1 cm.; 60 min. Red sleeve with text in black.

Cassette tape that contains two 30-min segments from “the Great Atlantic Radio Conspiracy” (GARC), an Anarchist-inspired radio show that aired on WBJC-FM from 1972 to 1992. Howard Ehrlich, a Sociologist and the Founder of ‘Research Group One’, was the driving force behind the weekly program, which presented alternative perspectives on a variety of subjects.

Regarding this particularly tape, Ford explains: “‘Although quite different, both of these groups are examples of contemporary anarchism. The first [The S.I.] was perhaps one of the most exciting and theoretically fascinating movements of our time, playing an important role in France 1968. M.N.S. [Movement for a New Society] is a non-violent, decentralized federating of living and working groups in American cities. The tactics and strategies of each group are discussed.’ *Reference from AK Distribution 1993 catalogue [222], p. 57.” (Ford 175)

Ford 175. Gray (“Action Art: A Bibliography of Artists’ Performance from Futurism to Fluxus”) 142. We locate no copy on OCLC or in the trade.

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Le Jeu de la Guerre [Board game] (1977)

24 Friday Mar 2017

Posted by elhajoui in Uncategorized

≈ 12 Comments

[Debord, Guy]. Le Jeu de la Guerre. Paris: Les Jeux stratégiques et historiques, 1977 [but 1978?]. White cardboard box; 36 x 28.5 x 3.5 cm. First “commercial” edition after a limited metal edition (3 or 4 copies).

This is the only copy we have seen in the trade or at auction. We locate a single OCLC copy at the BnF in Paris, part of Guy Debord’s archive.

Physical description

The box contains:

Game rule: 23 p.; 22 x 26 cm.; black ink on white stock
Game board: 55.5 x 44 cm.; black and white squares
Games pieces: 34 round-shaped wooden pieces

Inspiration

The Game of War is a Clausewitz simulator: a Napoleonic-era military strategy game where armies must maintain their communications structure to survive – and where victory is achieved by smashing your opponent’s supply network rather than by taking their pieces.

 

Game history

Le Jeu de la Guerre (The Game of War) is Guy Debord’s foray into the world of war games. In 1965, he filed a patent for Kriegspiel, which he had invented in the 1950s. In 1977, Guy Debord and Gerard Lebovici created a new company – “Les Jeux Strategiques et Historiques” (Strategic and Historical Games) – for the sole purpose of commercializing Le Jeu de la Guerre. The same year, three or four metal prototypes with silver-plated copper tokens are produced by Mr. Raoult, a Parisian artisan.

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Although a commercial edition was to be released in 1977, it faced delays: “By the end of June, 1978…Debord finished drafting a written copy of the game rules. ‘I am sending you the rules soon,’ he wrote to Lebovici.’ The juridico-geometric writing style has cost me innumerable headaches.’ (source). In 1978 – but perhaps several years later – a hand-crafted trade edition is released. While it is unclear how many copies were produced, it is believed to have been a “very small number”: the game quickly sold out, and was not re-released for over two decades (source).

In 1987, Editions Gerard Lebovici released the book Le Jeu de la Guerre: Relevé des positions successives de toutes les forces au cours d’une partie, the annotated account of a single game between Debord and his wife, Alice Becker-Ho. Alexander Galloway, an NYU scholar who has been researching Le Jeu de la Guerre for many years, believes that Debord played South (source). The book was re-released by Gallimard in 2006 but, just like the 1987 edition, it did not include the actual game.

It was not until 2007 that Atlas edition published the first English translation of the book, the work of Donald Nicholson-Smith. This was also the first edition (since the original release) “to be accompanied by a game-board and counters allowing readers to play “at home” according to the rules given.” (source)

In 2008, a computer version of the game was made available for free by the N.Y.U-based Radical Software Group, or RSG, under the original name Kriegspiel. According to RSG, this was”an attempt to reinterpret Debord’s ideas in the contemporary landscape, while maintaining a fidelity to his original thinking.” (source). The same  year, however, Debord’s widow sent cease-and-desist letters requesting that Kriegspiel be taken off-line. The game is now shown on the RSG website as “relaunching soon” (source).

Today, The Game of War is played around the world. Class Wargames regularly schedules gaming events, and even created a 27-minute film inspired by the Game of War (see here)

Game overview

The game uses a mapboard containing 500 squares (25 x 20) divided in two by a border line. Each territory has 2 arsenal squares, 3 fortress squares, and 9 mountain squares (blocking movement,shooting and communication lines). Setup of units (infantry, cavalry, artillery, horse artillery) is free and secret. At his turn, each player may move up to 5 units and/or attack. Aim of the game is to completely destroy the enemy or conquer his 2 arsenals. No dice: combats are resolved taking into account the attack/defense ratios of the opponents (unit retreats from -1, and is destroyed from -2) Communication lines are critical. (source)

More detailed rules available at RSG 

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Sources

The New Yorker: http://www.newyorker.com/magazine/2008/05/05/war-games-4

Liberation: http://www.liberation.fr/ecrans/2008/03/17/le-wargame-de-guy-debord-in-situ_67435?page=article

RSG: http://r-s-g.org/kriegspiel/about.php

Board Game Geek: https://boardgamegeek.com/boardgame/27323/le-jeu-de-la-guerre

Etienne Mineur: http://www.my-os.net/blog/index.php?2012/08/01/1660-le-jeu-de-la-guerre-un-wargame-de-guy-debord

Atlas Press: https://www.atlaspress.co.uk/index.cgi?action=view_eclectic&number=5

Class Wargames: http://www.classwargames.net/?p=1636

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