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Monthly Archives: July 2018

Heatwave [1966]

24 Tuesday Jul 2018

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RADCLIFFE, Charles (Ed.). Heatwave 1. London: Heatwave, July 1966. 40 p.; ill.; 21 x 28 cm.; orange wrappers with text in black.

GRAY, Chris and RADCLIFFE, Charles (Eds.). Heatwave 2. London: Heatwave, October 1966. 36 p.; ill.; 21 x 28 cm.; red wrappers with text in black.

Short-lived, yet influential magazine edited by Charles Radcliffe alone (issue #1, July) then in collaboration with Chris Gray (issue #2, October). A third issue appears to have been largely drafted, but never published. To date, only issue #1 has been reprinted (in 1993). Thankfully, full scans of the first two issues can be found on Charles Radcliffe’s website at  http://charlieradcliffe.com/heatwave/

For Radcliffe, “Heatwave 1 & 2 were direct descendants of The Chicago Rebel Worker and came from the revolutionary ferment that surrounded us.” Indeed, Heatwave‘s launch is advertized in issue #6 of The Rebel Worker, which was edited by the Rosmonts in the United States. Heatwave is lauded in the pamphlet De la Misère en Milieu Etudiant (On the Poverty of Student Life) in Fall 1966: “One thinks here of the excellent journal Heatwave, which seems to be evolving toward an increasingly rigorous radicality”.

Charles Radcliffe was a member of the English section of the Situationist International from December 1966 to November 1967. Guy Debord did not view Radcliffe’s contributions to the SI in a favorable light. In a letter to Robert Chasse dated 23 December 1967, he writes that “Radcliffe n’avait rigoureusement rien fait en dix-huit mois, et finalement avait amicalement formule sa démission a Chris…” (English: Radcliffe had done literally nothing in eighteen months, and had eventually handed his resignation to Chris [Gray] (Corrrespondance vol. 0, p. 338).

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Original drawing by Attila Kotanyi [1960]

22 Sunday Jul 2018

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KOTANYI, Attila. [Original, untitled drawing]. 1960. 50 x 65 cm; colored inks on thick white stock. Provenance: Guy De Sauvage (Belgian painter and friend of Kotanyi).

Original drawing by Attila Kotanyi, one of the lesser-known figures of the Situationist International, during his exile in Belgium in the aftermath of the failed Hungarian revolution (1956).

Kotanyi’s joined the SI in the Spring of 1960, In a letter to Pinot-Gallizio dated 16 May 1960, Debord writes: “Parmi les “nouvelles recrues de l’I.S.”, je viens de rencontrer Attila Kotányi. Il est sensationnel : et Asger est très content.” (“Among the ‘new recruits to the SI’, I just met Attila Kotanyi. He is amazing: and Asger is very happy”). Kotanyi was excluded in 1963 for his alleged “Christian mysticism”. (see https://thesinisterquarter.wordpress.com/2012/08/19/on-the-exclusion-of-attila-kotanyi-2/).

In those short years, Kotanyi made numerous contributions to the SI

  • “Gangland et Philosophie” (Issue 4, p.33) (English)
  • “Rapport a la IVe conférence” (Issue 5, p.24)
  • “Programme élémentaire du bureau d’urbanisme unitaire” (issue 6, p. 16) (English)
  • “L’étage suivant” (issue 7, p. 47)
  • (with Guy Debord and Raoul Vaneigem) “Theses sur la Commune” (first released as a tract, then reprinted in issue 12) (English)

Little has been written about Kotanyi and his role in the SI. We find an article here: http://exindex.hu/print.php?l=en&page=3&id=989

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Original drawing by Ralph Rumney [1957]

08 Sunday Jul 2018

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RUMNEY, Ralph. [Original, untitled drawing]. 1957. 24 x 19 cm; red and black ink on brown cardboard stock.

An original drawing made by a young Ralph Rumney in 1957, which was a very productive year for the 22/23-year old artist. That year he:

  1. Participated in the “First Exhibition of Psychogeography”, presented by the International Movement for an Imaginist Bauhaus, the Lettrist International and the London Psychogeographical Committee at Taptoe Gallery in Brussels (February)
  2. Participated in the pivotal Metavisual Tachiste Abstract exhibition mounted by the Redern gallery in London (4 April to 4 May). Rumney displayed 14 of his works including “The Change”, which would ultimately be purchased by the Tate (in 1989). (https://www.tate.org.uk/art/artworks/rumney-the-change-t05556)
  3. Co-founded the Situationist International by merging his London Psychogeographical Association (of which he was the sole member) with the Letterist International and the Movement For An Imaginist Bauhaus (May)
  4. Conducted psychogeographical forays into Venice, which ultimately led to “The Leaning Tower of Venice – as well as Rumney’s exclusion from the Situationist International (May). https://situationnisteblog.wordpress.com/2013/06/22/the-leaning-tower-of-venice/
  5. Met Pegeen Guggenheim (Peggy’s daughter) at a gallery opening at Hanover Gallery, instantly falls in love, and runs away to Paris with her. This same year, she gets pregnant with Sandro (born 1958)

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Two Situationists walks into a bar… (La Methode [1958])

08 Sunday Jul 2018

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We hereby present a set of documents relative to the bar “La Methode”, located at 2 Rue Descartes in Paris. Michèle Bernstein ran the bar from 10 to 29 October 1958. While her tenure was short-lived, it was productive: along with her husband Guy Debord, she produced a series of leaflets promoting the bar.

BERNSTEIN, Michèle; DEBORD, Guy. [La Méthode] Florencie, l’Idole de la Nouvelle Vague… n.p. [Paris]: n.p., n.d. [October 1958]. 1 p.; ill.; 13 x 27 cm; black ink on cream stock 

The text reads: “Florencie L’Idole de la Nouvelle Vague après avoir coulé trois boîtes en dix-huit mois Le Moineau-Bistro, Le Manouche, Le Mont-Blanc, s’attaque maintenant à La Méthode 2, rue Descartes. Hâtez-vous d’y boire un verre avant la fermeture” (Trans: Having driven three bars to bankruptcy – Le Moineau-Bistro, le Manouche, Le Mont-Blanc – Florencie, Star of the New Wave, is now taking on La Methode, located 2 rue Descartes. Come have a drunk before it closes permanently.”).

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BERNSTEIN, Michèle; DEBORD, Guy. [La Méthode] N’essayez plus d’entrer a Polytechnique mais en face a La Méthode… n.p. [Paris]: n.p., n.d. [October 1958]. 1 p.; ill.; 28 x 22 cm.; black ink on yellow stock

The text reads: “N’essayez plus d’entrer à Polytechnique mais en face à La Méthode 2, rue Descartes où vous pourrez voir Florencie le guitariste de l’intelligenstia. Ouverture le vendredi 10 octobre à 20 heures. Consommations à partir de 300 frs.” (Trans: “Don’t try to get into Polytechnique – instead, come across the street to ‘La Methode’, 2 Rue Descartes, where you can see Florencie, the intelligentsia’s musician. Opening Friday, October 10 at 8pm. Drinks from 300 Francs.”). Polytechnique, France’s top engineering school (which also happens to be run by the military) was formerly located at 2, rue Descartes.

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BERNSTEIN, Michèle; DEBORD, Guy. [La Méthode] Rarement la carence intellectuelle et la veulerie morale… n.p. [Paris]: n.p., n.d. [October 1958]. 1 p.; 5.5 x 12.5 m.; black ink on thin yellow stock

The text reads: “Rarement la carence intellectuelle et la veulerie morale d’une génération perdue ont été si manifestes que dans cette irritante jeunesse, aussi étrangère à tout art véritable qu’à l’enthousiasme nouveau de la rénovation française, qui affiche chaque soir son mépris des valeurs occidentales et sa malsaine tristesse à « La Méthode », de la rue Descartes” (Trans: Seldom have the intellectual deficiency and moral cowardice of a lost generation been so manifest as they are in this irritating youth. It is as divorced from any true art as it is in the new enthusiasm brought about by French renovation. Every evening, this youth displays its contempt for Western values and its unhealthy sadness at ‘La Methode’, on Descartes street”)

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And this is what the bar looks like today

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Le Crépuscule des Bureaucrates [1975]

05 Thursday Jul 2018

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VANEIGEM, Raoul. Le Crépuscule des bureaucrates. n.p.: n.p., n.d. [ca. 1975]. 121 p.; tape-bound with green covers.

Original movie script written by Raoul Vaneigem, which remains unpublished to this day. Front page: “Il ne suffit pas de crier : À bas le salariat ! À bas l’argent ! À bas l’État !…il faut créer très vite les conditions qui accélèrent l’effondrement du système dominant et généralisent l’autogestion par la construction libre de la vie quotidienne” (“It is not enough to scream: Down with employment! Down with money! Down wit the State!…One must rapidly create the conditions that will precipitate the fall of the dominant system and spread self-management through the construction of daily life”)

The content and tone reminds us of Ratgeb’s (i.e. Vaneigem’s) in De la grève sauvage à l’autogestion généralisée (From wildcat strike to total self management), published by 10/18 in 1974. While somewhat reminscent of Debord’s film adaptation of La société du spectacle (Society of the Spectacle) from 1974 – there are plenty of detourned images of factories, subways, low income housing, and yes, young women – the content is more accessible and rooted in History (vs. theory).

The first third of the film outlines the misery of daily life in modern-day capitalist societies. Work and commodities are everywhere to be found, while passion is absent.  P.28: “Et pourtant, il y avait mieux a faire que de travailler. Il y avait mieux a faire que de vieillir dans l’ennui et le mensonge” (“Yet, there were better things to do than work. There were better things to do than do grow old in boredom and lies”). P. 29. “Sous le fatras des images, les désirs et les passions sont la, en nous, vivants et emprisonnés.” (“Under this hodge-podges of images, desire and passion remain, inside us, alive but locked up”)

The second third of the film is devoted to the history (and failure) of workers’ councils around the world: The Paris Commune in 1871, the Russian Soviets in 1905, the Italian Councils in 1920, The Durutti Column in 1937,  The Csepel councils in 1956, etc..). We’d like to call out guest appearances by Lenine, Staline, Trotsky and Mao-Tse-Tung (as talking dogs), among others.

The last third of the film is in B&W with no sound. As in silent film, dialogue is conveyed by the use of muted gestures and mime in conjunction with title cards. This part showcases the successful takeover of factories by workers – giving viewers a glimpse of the world that could be. P.88: “L’autogestion se généralise quand elle assure a tous, de façon irréversible, le passage de la survie a une vie passionnante” (“Self-management grows when it guarantees to all the shift from survival to a passionate life”). P.101: “Vous n’avez que l’ennui a perdre et un monde a construire” (“All you have to lose is boredom, and a new world that is yet to be built”)

Not on OCLC or in the trade.

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Le Jeu de la Guerre [Board game] (2018)

04 Wednesday Jul 2018

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[Debord, Guy]. Le Jeu de la Guerre. n.p. [Paris], n.d. [2018]. Wooden game board (ca. 34 x 40 cm.), 34 round-shaped, wooden pieces, and abbreviated rules.

Beautiful, hand-crafted reproduction of Debord’s legendary wargame by a amateur. For more about the Game of War, refer to https://situationnisteblog.wordpress.com/2017/03/24/le-jeu-de-la-game-board-game-1977/

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PSA – Situationist Times Exhibit at Torpedo (Oslo, Norway)

04 Wednesday Jul 2018

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I would like to call readers’ attention to a particularly interesting exhibition on Jacqueline de Jong’s Situationist Times, more particularly on the mythical (never-released) seventh issues of the magazine devoted to pinball. More information below from http://torpedobok.no/torpedo-2

 

The Situationist Times: Same Player Shoots Again! International Tilt Exhibition (May-September 2018)

Torpedo (PUB)
Rostockgata 28, 0191 Oslo


Wed – Sun 12pm – 5pm

The Situationist Times: Same Player Shoots Again! unfolds the material assembled by de Jong and her co-editor Hans Brinkman in the early 1970s for a seventh, unrealized issue devoted to pinball. The documents – here presented to the public for the first time – testify to an extensive investigation of the culture and topology of pinball – arguably the quintessential situationist game. In collaboration with Koosje Ruigrok, Jacqueline de Jong has produced a special pinball wallpaper for the exhibition. The show also features a free-play electro-mechanical pinball machine by courtesy of Oslo Pinball Club.

Additionally, the exhibition provides a rare opportunity to browse original copies the Situationist Times 1-6. A digital interface developed by the Scandinavian Institute for Computational Vandalism invites you to navigate the riches of the magazine, its labyrinths, knots and controversies, as well as browse through the issues together with de Jong, who tells stories of their making in a series of newly produced video clips.

The Situationist Times: Same Player Shoots Again! inaugurates PUB, a project space run by Torpedo and Eller med a in Rostockgata 28, Oslo.

The exhibition is curated by Ellef Prestsæter and Torpedo and produced in collaboration with Konsthall Malmö and Museum Jorn. It forms part of These are Situationist Times, an exhibition, digitization and publication project developed by Torpedo and Ellef Prestsæter, in close collaboration with Jacqueline de Jong and generously supported by Nordic Culture Point and the Norwegian Arts Council. The Jacqueline de Jong Papers, including the archives of the Situationist Times, is held at Beinecke Rare Books and Manuscripts Library, Yale University.

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182 – Destruktion af RSG-6 – Burned copy [1963]

01 Sunday Jul 2018

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INTERNATIONALE SITUATIONNISTE. Destruktion af RSG-6 – En kollektiv manifestation af Situationistisk Internationale. Odense: Galerie Exi, n.d. [1963]. 28 p.; ill.; 25 x 18 cm; ill. White wrappers with text in black and red. This copy damaged by fire and water.

Original catalog of the Internationale Situationniste exhibition held at Galerie EXI in Odense, Denmark between June 22 and July 7, 1963. For our earlier post about a “regular” (undamaged) copy, see here.

This catalog is particularly scarce because most copies were destroyed on March 18, 1965, when a bomb exploded in Situationist J.V. Martin’s house in Randers, Denmark during a demonstration against NATO. Søren Kanstrup, a member of the Danish Communist Party and former East German spy, was arrested for this crime. While Situationists believed that Stalinists had allied with the police to dismantle the SI’s growing influence, the case was never solved and Kanstrup motivations remain unclear to this day. More detail about this incident be found in issue 10 of Internationale Situationniste (“L’I.S. et les incidents de Randers” ; English: “The SI and the incidents in Randers”). Some of the picture below (courtesy of Copenhagen Free University) showcase coverage of the bombing by the Danish press.

Our copy is among a handful that were salvaged from Martin’s apartment following its near-complete destruction. The fire (but also the water used to put it out) resulted in visible damage, particularly to the wrappers. However, somewhat miraculously, this copy remains complete and the text fully legible.

Gonzalvez 119. Raspaud 115-116

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Recent Posts

  • Kill John Bull with art! : what went wrong? by Ralph Rumney [1969] January 10, 2021
  • New Babylon (Portfolio with 10 lithographs by Constant) [1963] December 31, 2020
  • Cent dérives · A Hundred Drifts · Hundert Driften [2020] December 16, 2020
  • Proclamation from l’Internationale Situationniste [1962] December 15, 2020
  • Nicht Hinauslehnen = Ne pas se pencher au dèhors = E pericoloso sporgesi! = Danger! Do not lean out! = Det är livsfarligt att luta sig ut! = Niet naar buiten hangen! [1962] December 14, 2020
  • Traité de savoir-vivre à l’usage des jeunes générations [1967] December 7, 2020
  • Council for Liberation of Imagination [1969] December 6, 2020
  • Nous rions mais jamais en meme temps que vous [2020] December 5, 2020
  • Ne Teletravaillez Jamais! [2020] December 5, 2020
  • [Guy Debord] Le Surréalisme, une révolution de l’irrationnel [1968] November 27, 2020
  • Le Jeu de la guerre de Guy Debord: l’émancipation comme projet [2020] November 8, 2020
  • ANNOUNCEMENT: Same Players Shoot again : Jacqueline de Jong and the Situationist Times (Oct 31 – Nov 29, Paris) October 21, 2020
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  • Guy Debord – original portrait by Luca Del Baldo [2020] October 18, 2020
  • Patrick Straram in “A Tout Prendre” / “Take it All” [1963] September 25, 2020
  • History Without a Past [2020] September 7, 2020
  • Hobo Quebec 9-10-11: Special Straram [1973] September 7, 2020
  • Le Mensonge cru: De la Décomposition de la Presse dans l’Achèvement de l’Aliénation médiatique [1988], and on on Mezioud Ouldamer in general September 7, 2020
  • Armed Love [1969] September 5, 2020
  • Hip Survival Bulletin” and “From the Old Reality Comes the New” [1969] July 21, 2020
  • Never (1969) July 20, 2020
  • Q. What is Culture? A. Shit [1968] July 19, 2020
  • King Mob 2 1/2: Reich, Geronimo, Dada…[1969] July 18, 2020
  • Maybe if someone told these students about Dada they’d forget daddy. What is Dada? Ask your tutor [1968 or 1969] July 17, 2020
  • Luddites: ’69 [1969] July 16, 2020
  • [Cartoons] The Following are a Collection of the Cartoons…[1968] July 15, 2020
  • The Death of Art Spells the Murder of Artists. The Real Anti-Artists Appear [1968] July 14, 2020
  • Boredometer of the Rise and Fall of the New Proletarian Poverty, Figuring Lancaster Student Occupation [1970s] July 13, 2020
  • It Was Meant To Be Great But It’s Horrible” Confessions: S. Claus 1968 [1968] July 12, 2020
  • The Bash Street Kids Go to the Sit-in [1969] July 11, 2020
  • Contributi Che Servono a Rettificare l’Opinione del Publico Sulla Rivoluzione nei Paesi Sottosviluppati [1968] July 7, 2020
  • A partir du mercredi 25 fevrier 1976 a l’Olympic…deux films de Guy Debord [1976] July 5, 2020
  • Asger Jorn – Peintures et Gouaches-Decollages, Calligraphie desorientee [1965] July 4, 2020
  • L’Estetico il Politico da Cobra all’Internazionale Situazionista 1948-1957 [1977] July 3, 2020
  • Pourquoi je ne vote pas [2019] June 25, 2020
  • [DEBORD, Guy] Déclaration des « Éditions Champ Libre » (in Le Monde no. 9669, 24 Feb 1976, p.7) June 16, 2020
  • Le Declin et la Chute de l’Economie Spectaculaire-Marchande [1993] June 3, 2020
  • La revolution dans les pays de l’Afrique noire [1966] May 26, 2020
  • Les Luttes de Classes en Algérie [1965] May 25, 2020
  • Adresse aux prolétaires et aux jeunes révolutionnaires arabes et israéliens contre la guerre et pour la révolution prolétarienne [1976] May 25, 2020
  • [Interlude] Raoul Vaneigem on Coronavirus [21 March 2020] April 13, 2020
  • Die Welt Als Labyrinth [CATALOG] [2018] February 18, 2020
  • Della Miseria Nell’Ambiente Studentesco [1969] February 18, 2020
  • L’Estremismo Coerente dei Situazionisti [1968] February 18, 2020
  • These are Situationist Times! [2019] January 22, 2020
  • The Detroit Printing Co-Op: the Politics of the Joy of Printing [2019] December 2, 2019
  • King Mob Echo 1 – Original printer’s plates [1968] November 19, 2019
  • PSA: Cinema Situationniste – Integrale Guy Debord November 19, 2019
  • Fordern wir das unmoegliche: eine austellung uber die Situationistische Internationale [2019] October 22, 2019
  • Internationale Situationniste 1958-69 (Advertising Leaflet) [1969] October 14, 2019

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