Series of six posters produced by the Conseil pour le Maintien des Occupations (CMDO) during the May 68 riots in Paris. “The Council for the Maintenance of Occupation (CMDO) was formed on the evening of May 17 [1968] by those supporters of the first Occupation Committee of the Sorbonne who had left with it and who proposed to uphold for the rest of the crisis the program of council democracy which was inseparable from a qualitative expansion of the occupation movement…The CMDO was more or less constantly made up of about ten situationists and Enrages (among them Debord, Khayati, Riesel and Vaneigem) and as many workers, high school students or ‘students’, and other councilists without specific social functions” (Rene Vienet, Enrages and Situationists in the Occupation movement, p.95-96).  On June 15 [1968], the CMDO dissolved itself, with “some of [its members] among them, who recognized in the Situationist International the extension of their own activity, continued to work together in that organization.” (ibid, pp. 104-105)

The posters’ message can be translated as follows: “Down with the Spectacle-Commodity Society”; “Abolition of Class Society”; “Occupation of Factories”; “End of Universities”; “Power to Workers Councils”; and “What Can the Revolutionary Movement Do Now? Everything. What Does It Become in the Hands of the Parties and the Unions? Nothing. What Does the Movement Want? The Realization of a Classless Society through the Power of the Workers Councils.”

For more on the CMDO, see Vienet, Rene. Enrages and Situationists in the Occupation Movement. New York / London: Autonomedia / Rebel Press, 1992. This is the translation from the French original (Paris: Gallimard, 1968). In particular, see chapter 6 (“The Council for the Maintenance of Occupations” and councilist tendencies), pp. 95-106.

OCLC locates three institutions with holdings (BnF, Yale, Michigan)

Interesting tidbit: five of the six posters (all large ones) once greeted visitors to Yale’s Beinecke library. See below (from a documentary on the Voynich Manuscript, https://www.youtube.com/watch?v=awGN5NApDy4, 4’47)

Individual items below:

Conseil pour le Maintien des Occupations [CMDO]. A Bas la Societe Spectaculaire-Marchande! n.p. [Paris, France]: n.p. [CMDO], n.d. [May 1968]. 36.5 x 49.5 cm.; offset-printed in black and white inks

Conseil pour le Maintien des Occupations [CMDO]. Abolition de la Societe de Classe n.p. [Paris, France]: n.p. [CMDO], n.d. [May 1968]. 36.5 x 49.5 cm.; offset-printed in black and white inks

Conseil pour le Maintien des Occupations [CMDO]. Fin de l’Universite. n.p. [Paris, France]: n.p. [CMDO], n.d. [May 1968]. 36.5 x 49.5 cm.; offset-printed in black and white inks

Conseil pour le Maintien des Occupations [CMDO]. Le Pouvoir aux Conseils de Travailleurs. n.p. [Paris, France]: n.p. [CMDO], n.d. [May 1968]. 36.5 x 49.5 cm.; offset-printed in black and white inks

Conseil pour le Maintien des Occupations [CMDO]. Occupations des Usines. n.p. [Paris, France]: n.p. [CMDO], n.d. [May 1968]. 36.5 x 49.5 cm.; offset-printed in black and white inks

Conseil pour le Maintien des Occupations [CMDO]. Que Peut le Mouvement Revolutionnaire Maintenant? . n.p. [Paris, France]: n.p. [CMDO], n.d. [May 1968]. 24.5 x 15 cm.; offset-printed in black and white inks

Original correspondence between Guy Debord and Anita Blanc on the back of 14 signed postcards (ca. 10.5 x 15 cm. in size). Written between 1988 and 1990, all are accounted for in Correspondance, Vol. VII (Paris: Fayard, 2008).

Anita Blanc was one of a handful of employees (and Debord’s day-to-day contact) at Editions Champ Libre / Gerard Lebovici. She was the cousin of Gerard Lebovici, a famed film producer, editor and impresario who doubled as Debord’s patron until his mysterious assassination in 1984.

Anita Blanc and Guy Debord developed a warm relationship, as evidenced by the tone of some of their exchanges. They had a shared passion for cats, which explains the deliberate and consistent choice of postcards representing felines. All in all, Debord wrote to Blanc at least 25 times between July 29, 1988 and February 23, 1990 (see Correspondance, Vol “0”, pp. 352). The back-and-forth ended when Debord had a falling out with Editions Gerard Lebovici a few months after the death of Floriana Lebovici (Gerard Lebovici’s widow) from a devastating cancer on February 19, 1990. Two years later, Editions Lebovici became Editions Ivrea and Debord had jumped ship.

In this correspondence, Debord tackles a number of meaningful matters (such as the translation of his works into English and Spanish) but also some more pedestrian ones (for instance, the make-up of a display case for his new book). A detailed read of each piece is provided below:

01. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 01/10/[19]88. Accounted for in Correspondance, Vol. VII, p. 42. 

Debord asks Anita Blanc whether Olivier Lutaud [a famed historian and the author of Les Nivelleurs, Cromwell et la Republique, which Debord had read – see Correspondance Vol V, pp. 274, note 3] has sent his translation of a newly discovered text on the English revolution.

02. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 14/10/[19]88. Accounted for in Correspondance, Vol. VII, p. 43-44.

Debord states that half of his knowledge on the English revolution comes from Lutaud, while the other half comes from Guizot, which he views as a bit outdated [Guizot was the author of  Pourquoi la révolution d’Angleterre a-t-elle réussi ? Discours sur l’histoire de la révolution d’Angleterre in 1850 and Études biographiques sur la révolution d’Angleterre the following year, among others]. He also wonders that he may be the last man in France who cannot read English. He asks about Michele Duval [who had edited Saint-Just’s Oeuvres Completes and Anacharsis Cloots’ Ecrits Revolutionnaires for Champ Libre] and confirms that the third printing [of an unidentified] was exempt of typos.

03. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated [28/10/1988]. Accounted for in Correspondance, Vol. VII, p. 47-48.

Debord wonders about the possibility that he (or other authors published by Gerard Lebovici) may be considered for a literary prize. In this unlikely event, and to avoid any confusion, Debord writes a brief “Memoradum” to Anita Blanc. He explains that Editions Gerard Lebovici are hostile to any literary prize, and that such a position is shared by all of its published authors.

04. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 03/11[19]88. Accounted for in Correspondance, Vol. VII, p. 48.

Debord gives Anita Blanc some guidance regarding the display case [in which his new book, Commentaires sur la Societe du Spectacle, is to be promoted]. He expresses a desire to see only three of his other works (namely, Considerations  [sur l’assassinat de Gerard Lebovici], [Societe du] Spectacle, and Le Jeu de la Guerre)  placed on the shelf alongside this new title. However, he also wishes to see works by Sexby, Junius, Cravan and Orwell placed on a separate shelf underneath or above. The fact that all four of these authors are English, he muses, is quite timely in light of Mrs Thatcher’s visit to Poland.

05. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 04/12/[19]88. Accounted for in Correspondance, Vol. VII, p. 53.

Debord is pleased with the display case that was prepared for his books [see postcard dated 3/11/1988]. He asks that a new display case be prepared to showcase [Jean-Francois] Martos’ new book [Histoire de l’Internationale Situationniste, published by Champ Libre in 1989]. He proposes to lend (but not gift) broadsides and original documents [from the Internationale Situationniste] on this occasion.

06. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 07/01/[19]89. Accounted for in Correspondance, Vol. VII, p. 66.

Debord tells Anita Blanc that he gave Nico[las Lebovici, Gerard Lebovici’s son] the documents for the display case [see postcard dated 04/12/1988].

07. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 10/03/[19]89. Accounted for in Correspondance, Vol. VII, p. 74. 

Debord acknowledges the receipt of a letter from the University of Montana at Missoula in which he is asked to partake in a conference alongside Baudrillard [Indeed, the conference Jean Baudrillard in the Mountains, or Modern Communication and the Disappearance of Art and Politics  was held from 11-13 May 1989 in Missoula, MT] and congratulates Anita for responding in a rather uncivil manner to said invitation.

08. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 06/06/[19]89. Accounted for in Correspondance, Vol. VII, p. 92.

Debord asks that Anita Blanc reject a request by Belgian urbanists [to publish excerpts from Debord’s writings] and, more generally, any similar request made by periodicals, anthologies, etc. This “it goes without saying”, should apply to all of his books.

09. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 29/09/[19]89. Accounted for in Correspondance, Vol. VII, p. 110.

Debord expresses his dismay at the fact that [Jean-Edern] Hallier [editor of the periodical l’Idiot International] reprinted some pages from Panegyrique without his explicit permission. However, he does not wish to dignify the journalist with a response. He also instructs Anita that, should similar requests be made in the future, they ought to be met with a flat-out rejection. See postcard dated 06/06/1989 for a similar ask.

10. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 15/10/[19]89. Accounted for in Correspondance, Vol. VII, p. 114. 

Debord asks Anita Blanc to respond to Malcolm Imrie [who is then preparing an English translation of La Societe du Spectacle for Verso, though the political treatise will ultimately be published by Zone in 1990] regarding the old pirate Black & Red translation. He also asks that Imrie send a letter detailing challenges with his translation of Commentaires sur la Societe du Spectacle  [Imrie did comply, and Debord’s response can be found in Correspondance Vol. VII, pp. 204-209. Imrie’s translation was ultimately published by Verso in 1990]. Finally, Debord asks that the translation of Panegyrique be be delayed, and that [Jorge] Herraldo not be forgotten [more on this in the next letter].

11. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 23/10/[19]89. Accounted for in Correspondance, Vol. VII, p. 115.

Debord asks Anita Blanc for a payment of 250,000 Francs on behalf of Editions Gerard Lebovici, partly as an advance on his latest book, Panegyrique. He also inquires about the status of “Societe des jeux strategiques et historiques” [a company he had initially founded with Gerard Lebovici and that would have marketed his board game “Kriegspiel”]. Finally, he expresses satisfaction with Pascal Dumontier’s manuscript [Les Situationnistes et Mai 68, which Champ Libre will ultimately publish in 1990] and says he will write to him [as he does the next day, in an unusually warm letter – see Correspondance, Vol. VII, pp. 117-121].

12. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 19/[12/1989]. Accounted for in Correspondance, Vol. VII, p. 150.

Debord thanks Anita for sending a check [for 250,000 Francs, see postcard dated 23/10/1989] on December 15. He also asks her to clarify the situation with the “senor editor de ANAGRAMA” [i.e., Jorge Herraldo, head of said Spanish publishing house]. In June 1988, Debord had written a first letter to Herraldo detailing some of the issues he saw with the Spanish translation of Commentaires sur la Societe du Spectacle  (see Correspondance, Vol. VII, p. 92) .

13. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 27/12/[19]89. Accounted for in Correspondance, Vol. VII, p. 153.

Debord expresses his worries once more regarding the Spanish translation of Commentaires sur la Societe du Spectacle . He now believes Jorge [Herraldo] is playing him for a fool.  The back of the postcard is a metaphor for the duplicitous Spanish publisher…

14. Debord, Guy. [CORRESPONDENCE] Signed autograph postcard dated 30/01/[19]90. Accounted for in Correspondance, Vol. VII, p. 169.

Debord laments how he is being treated by journalists [in reference to the article “Enquete sur les grands silencieux” published in Globe, February 1990,  in which he is essentially compared to the Guru of a cult] and reminds Anita about additional monies owed to him.

 

 

 

Internationale Situationniste. Debat d’orientation de l’ex-Internationale Situationniste. Paris: Centre de Recherche sur la Question Sociale (CRQS), 1974.

Scarce compilation of 35 internal documents of the SI debating possible strategies in the aftermath of May 1968. The documents were published between 26 August 1969 and 28 January 1971 and are chiefly in French, with two documents in English.

The Debat d’orientation contains a series of written texts, some deeply theoretical in nature, that served as a basis for a series of meetings held by members of the Situationist International in 1969 and 1970. They help understand the growing divides among the remaining members of the organization, and lay the ground for the dissolution of the SI a few years later. As Bill Brown remarks, the debate “was accompanied by a slew of exclusions…and resignations”, with most members of the American and French sections (or whatever was left of them at that point in time)  departing the group, voluntarily or not. In many way, the Debat is an indispensable companion to La Veritable Scission dans l’Internationale Situationniste (Paris: Champ Libre, 1972), which gives Debord and Sanguinetti’s (biased) perspective on the events that led to the “real split” in 1972.

As must be clear by now, these internal documents were not meant for publication. Brown notes that “when such a collection was finally put together by a fan of the situationists named Daniel Denevert and submitted to Editions Champ Libre, Guy Debord declined to help and Champ Libre turned the book down”. It was not until 1974 that Joel Cornuault, an early translator and publisher of Ken Knabb’s works in French, compiled them into an 80-page, primarily type-written mimeographed volume. The thin volume was circulated in small numbers within the Parisian pro/post-situationist milieu of the early to mid-1970s.

Unlike most other texts by the SI, the Debat d’orientation de l’ex-Internationale Situationniste cannot be found in full online. At some point in time, it had been made available by Franck Einstein here, but the link has been dead for a few years (and the original text may not have even been complete to begin with). For now, select letters have been reposted at Debord-encore. Remarkably, however, a complete English language translation – primarily the work of Bill Brown, with contributions by Ken Knabb and a few others – may be found here.

There appears to have been a reprint by Editions du Cercle Carre in 2000 (see here). However, we find no record of this edition on either OCLC or in the trade.

 

We locate 5 OCLC copies at the Bibliotheque Nationale de France (BnF), Bibliotheque Sainte-Genevieve, Nanterre’s BDIC, UC-Berkeley, and Michigan.

Ford 32. Gonzalvez 146.

Complete run in 5 issues (no.4 was never published) of this legendary British counter-culture magazine put out by David & Stuart Wise, later joined by Christopher Gray, Donald Nicholson-Smith and TJ Clark (all former members of the British Section of the Situationist International).Also included here is a leaflet listing all King Mob publications.

Retracing the history of King Mob, its evolution, and its linkages with Black Mask / Up Against the Wall Motherfuckers would be too long and has already been done. I encourage readers to learn more by reading Tom Vague’s “King Mob Echo: From Gordon Riots to Situations & Sex Pistols” (London: Dark Star, 2000; in print); Tom Vague’s “King Mob: English Section of the Situationist International” (London: Dark Star, 2000; in print) and, online, the Wise Brothers’ own “King Mob: A Critical Hidden History” (available online at http://www.revoltagainstplenty.com/index.php/archive-local/93-a-hidden-history-of-king-mob.html).

King Mob. King Mob 1: King Mob Echo. London: BCM/King Mob, April 1968. n.p. [12 p.]; ill.; 24 x 34 cm.; ill. B&W wrappers with picture of a menacing masked man with text in white.

This first issue includes a front cover image of a menacing masked man (from Louis Feuillade’s film “Fantomas”) above a Karl Marx quotation (from “The Eighteenth Brumaire of Louis Napoleon”). Contents include: “The Return of the Repressed” by radical psychoanalysis scholar Norman O. Brown; “Desolation Row”, an excerpt “free translated from Raoul Vaneigem’s Traite de Savoir Vitre a l’Usages des Jeunes Generations” (1967); “Urban Gorilla Comes East”, the magazine’s only original King Mob statement, co-written by Phil Cohen (also known for his involvement with the London Street Commune and the 144 Piccadilly squat) and Donald Nicholson Smith. Reprinted in King Mob Echo: English Section of the Situationist International (London: Dark Star, 2000), pp. 71-81

King Mob. King Mob 2: Letters on Student Power. London: BCM/King Mob, November 1968. n.p. [4 p.]; ill.; 24 x 36 cm.; ill. B&W wrappers with text in black.

This second issue, entitled “King Mob: Two Letters on Student Power”, contains the group’s response to and critique of the student revolts and the anti-university movement, with the central text by Christopher Gray (formerly of the Situationist International). Also included is a brief article by Richard Huelsenbeck on the same topic, which mentions Trocchi.  Reprinted in King Mob Echo: English Section of the Situationist International (London: Dark Star, 2000), pp.85-90

King Mob. King Mob 3. London: BCM/King Mob, May 1969. 16 p.; ill.; 25 x 36 cm.; ill. White wrappers with picture of a menacing werewolf, text in black and white.

This third issue features a striking front cover with a picture of a werewolf. It reprints content from Ben Morea’s Black Mask journal and advertizes Black Mask / Up Against the Wall Motherfucker’s actions in the United States (“The first year Black Mask seized every possible opportunity of fucking up culture”) . It includes the famous action to close the Museum of Modern Art in New York. As always, illustrations are stunning and speak to the group’s radicalism and nihilistic outlook. Reprinted in King Mob Echo: English Section of the Situationist International (London: Dark Star, 2000), pp.101-122

King Mob. King Mob 5. Inglewood (Australia): The King Mob Collective, n.d. [1970]. n.p. [8 p.]; ill.; 22.5 x 36 cm.; ill. B&W with text in black.

This scarce fifth issue was published in Australia, seemingly independently from the British group but with similar layout and content. Contents include: “Those Still  in Prison” (a criticism of the prison system from an anarchist standpoint); “Editorial”; “Join the Revolution”; “Total self-management” (a discussion of workers councils and self-management); “The Last Puppet Show” (a criticism of students and Universities), etc. Also reprints excerpts from Fredy Perlman’s The Reproduction of Daily Life  and comics from old King Mob leaflets and journals. Provides a number of contacts, primarily of Anarchist bookstores in Australia and New Zealand. Incompletely reprinted in King Mob Echo: English Section of the Situationist International (London: Dark Star, 2000), pp.123-124

King Mob. King Mob 6: Notes from the Underground. London: BCM/King Mob, n.d. [1970]. n.p. [4 p.]; ill.; 25 x 34 cm.; ill. B&W wrappers with text in black.

This scarce sixth issue contains of a single, lengthy article on the revolutionary struggle against monopoly capitalism and the commodity hierarchy. Christopher Gray has suggested that it may have been written by Dave Wise, who has stated that it was mainly written by Ian and Diana Clegg “with a little distant help from their…friends from Newcastle”. One section reads: “Monopoly capitalism will construct its Ministry of Leisure over Western Europe: Butlins camps or rarified Belsens all along the Costa Brava”, a meme that found its way into the lyrics for “Holidays in the Sun” and Jamie Reid’s punk slogan, “Cheap Holidays in Other Peoples Misery”. Reprinted in King Mob Echo: English Section of the Situationist International (London: Dark Star, 2000), pp.125-129.

King Mob. King Mob Publications. London: BCM/King Mob, n.d. [1970]. 1 p.; 20.5x 34 cm.; black ink on white stock.

Leaflet that lists the titles and prices of the group’s publications: The first three issues of the journal (“King Mob no.1 – Vaneigem on Situationism and Norman O Brown on Genitality”; “King Mob no.2 – Two Letters on Student Power”; “King Mob no.3 – The Great Motherfucker Revolution), two posters (“King Mob Motherfucker Poster” and “Luddites’69”), a number of Situationist publications (“Ten Days that Shook the university (Situationist International); “Vaneigem: ‘Totality for Kids’ (Situationist International); “Situationist Comic”; “Theses on the Commune”). Three handwritten additions are made in red pen: “Unitary Urbanism”; “SMASHIT Cartoon”; and “King Mob 6 – Work / out shortly”. Includes the King Mob stamp with the group’s W.C.1 address in London.

 

Radical Action Cooperative (i.e., Collins, King; Corwin, Liz; Verlaan, Tony; Waring, Peter; et al.). Critique of Columbia S.D.S. New York, NY: Radical Action Cooperative, n.d. [1968]. 5 p.; 21 x 29.5 cm.; black ink on  three white, stapled mimeographed sheets.

Radical Action Cooperative (i.e., Collins, King; Corwin, Liz; Verlaan, Tony; Waring, Peter; et al.). Life, Not Survival – A Manifesto. New York, NY: Radical Action Cooperative, 28 July 1968. 4 p.; 21 x 29.5 cm.; black ink on two yellow, stapled mimeographed sheets.

Radical Action Cooperative (i.e., Collins, King; Corwin, Liz; Verlaan, Tony; Waring, Peter; et al.). Nantes – An Entire Town Discovers Popular Power. New York, NY: Radical Action Cooperative, 22 September 1968. 15 p.; 21 x 29.5 cm.; black ink on eight blue, stapled mimeographed sheets.

Rare set of items published by Radical Action Cooperative (RAC), described by Beni as “a communal organization which evolved during the Columbia University struggle of Spring 1968. Tony Verlaan participated in it on and off from about March to about October 1968. Migrated to Cambridge in late 1969, where King Collins and others in it became the Council for Conscious Existence, a situationist or pro-situationist group hostile to Verlaan and other New York city Situationists” (Reference: A Bibliography of North American Situationist Texts, 1975, p. 103).

King Collins, one of the group’s co-founders and main contributors, explains the context within which RAC was born, with a specific reference to the item Critique of Columbia S.D.S. featured here: “After the bust, SDS [Students for a Democratic Society] set about the construction of a “strike committee” dominated by their own cadre. Peter [Waring] and I and other new found friends, declined to tie in with SDS and instead set up our own organizational space at Columbia Teachers College, just across the street from the Columbia campus. The administration of Teachers College, trying to avoid any direct confrontation, agreed to give us some office space and access to typewriters and some duplicating equipment. We met often and did a few actions, some of them perhaps deserving of mention (later). We wrote a critique of the college and of SDS, from our homegrown sociological and anarchist perspective.”(Reference: From Student Life to Political Commune: The Radical Action Cooperative And The Situationist International, revised August 2014, available online at http://www.greenmac.com/CCE/RAC_01.html).

Another item discussed here (Life, Not Survival: A Manifesto) played a critical role in connecting RAC with Situationist International members in New York: “Chasse and Elwell wrote to RAC shortly after we published a document (It was called “RAC Manifesto: Life not Survial.”) Their letter raised some interesting questions and I met briefly with Chasse, and he made it clear that my thinking about revolution was not adequate in his eyes.” (From Student Life…).  Tony Verlaan, on the other hand, developed a much closer relationship with RAC members, eventually joining the group and influencing its members. As Fabrice de San Mateo notes in his preface to the French translation of Situationist International (review of the American section of the S.I.): “Verlaan engaged in discussion with some of its members and, as a result of this contact, the RAC proclaimed its affinities with the SI. Rapidly, the situationist came to share the communal dwelling of the RAC and to participate in its activities.”

Verlaan’s participation, however, was a “major source of disagreement” within the American section of the S.I. The first issue of Situationist International features a short article (“Opposition Falsified”) that points at this very tension:”Out of the Columbia strike came a bizarre communitarian grouping called the Radical Action Cooperative (RAC). They opposed themselves to the subleninists all around them, claimed to start from a critique of daily life and declared affinities with the thought of the SI. But they quickly exposed themselves as inflictions of their own boredom and confusion, as ideologists of daily life. RAC migrated to Harvard where they provoked the unimaginative ‘confrontations’ from which the well-disciplined zombies of PL tried to profit.”(translated from the French by Bill Brown, 2012, http://www.notbored.org/ecrits-preface.html)

For more information on the relationship between RAC and the SI, consult King Collins’ excellent piece at http://www.greenmac.com/CCE/RAC_01.html

I welcome corrections, additions, suggestions, etc. from original members of RAC or those who may have more insight into this material.

Rare. RAC items are found in neither the trade nor on OCLC (though the Tamiment library of NYU mentions some printed material related to the group in one of its finding aids)

 

Situationist International. Address to New York City Public School Students. New York: Situationist International, 12 November 1968. 4 p.; 21 x 29.5cm.; ill. B&W comics.

Stunning detourned Pogo comic by Bruce Elwell and Robert Chasse, published by the American section of the Situationist International in late 1968.

A translation of this comic into French is available  courtesy of Editions CMDE here . It is worth noting that CMDE issued the first French-language translation of the writings of the American Section of the Situationist International (2012).

In his preface to the French translation, translator Fabrice de San Mateo explains the context behind this comic: “At the moment that Chasse joined the SI, Elwell prepared a comic strip, “Address to New York Public School Students,” [created] in the vein of the comic-strips detourned by the [European] situationists. He composed these four-page comics with images borrowed from three anthologies of Pogo. The subject of this detournement was the union-led strike of the teachers in New York in the autumn of 1968, of which the Council had made a review in its text “The Newest School Buildings Are Indistinguishable From the Newest Prisons or the Newest Industrial Complexes”…These detourned comics appeared on 12 November 1968 as a publication of the Situationist International.At the same time, Elwell became a member of the SI in his turn.” (translation borrowed from http://www.notbored.org/ecrits-preface.html)

Not in Ford. We locate a single OCLC copy at New York University’s Tamiment Library, where it can be found in the “Ben Morea and Aldo Tambellini Papers” archive (TAM.530, Box 1, Folder 63)

 

 

 

Maurice Wyckaert [INVITATION CARD]. Milano: Galleria Del Naviglio, n.d. [December 1961]. 16 x 11.5 cm.; black ink on thick yellow stock.

Invitation card for Maurice Wyckaert’s show at Galleria D’Arte Del Naviglio in Milan on 9 December 1961.

Painter Maurice Wyckaert was a member of the Belgian section of the Situationist International through April 1961, when he was excluded “following an attempt to meddle in the SI’s affairs by the art dealer Otto Van de Loo, who had hoped to influence its politics by making threats and promises to several situationists with whom he had personal relations” (http://www.cddc.vt.edu/sionline/chronology/1961.html). Wyckaert  is best known for having been chosen to read the Declaration in the Name of the Fourth SI Conference to the Institute of Contemporary Arts, at the Institute of Contemporary Arts on 28 September 1960. Often viewed as a relatively “minor” figure in the SI, Wyckaert’s works and contributions were brought to light in Gérard Berréby & Danielle Orhan (éds), L’Œuvre peint (1947-1996). Paris: Allia, 2012.

Not in OCLC.

[Wise, David] The End of Music. Glasgow: GPP, n.d. [1978?]. 36p.; ill.; 18 x 26 cm.; white wrappers with text in pink.

Contents:  “The Revolution of Everyday Alienation”; “White Dopes on Punk”; “Rebel Music and State Morality”; and “Music All Day Helps You…Work & Play”

Written by David Wise (formerly of King Mob), this is an important pamphlet that lays out the problematic relationship between Punk music and Situationist ideas. “Part of the genesis of punk goes back 10 years to the English section of the Situationists and the subsequent King Mob group, a loose affiliation (hardly a group) of disparate though confused revolutionary individuals in England in 1968”

Initially published in a typescript format, “this text was written around 1978 and came to be circulated in the U.K. by an informal network of revolutionaries who used the text as a focus for discussion in order critically to uncover the ‘social glue’ that maintains capitalist society.” (p. 34).

This “pirate” reprint is interesting in that, laid-in within the facsimile reproduction of the original typescript is a smaller-sized pamphlet that reproduces part of the content with a critical assessment by the authors of this edition: “We have indicated our differences with the author’s formulations at this time, in terms of an attachment to Marxist categories. While those passages dealing with the evolution of the English ‘pro-Situ’ scene are, in our opinion(s), among the most interesting in the text, we don’t view the pamphlet as accounting fully for the development of Punk or Reggae. Like Council Communism, ‘Situationism’ is the creation of a particular era in social struggle, and nostalgia bordering on mystification can only act as a brake on the re-vision of new revolutionary perspectives” (p.34).

“The End of Music” was later reprinted as part of Stewart Home’s “What is Situationism” (AK Press, 1990). It was also reprinted as part of David Wise’s “King Mob: a Critical Hidden History” (Bread and Circuses Publishing, 2014). The full text can be found on David and Stuart Wise’s website at http://www.revoltagainstplenty.com/index.php/recent/216-the-original-copy-of-the-end-of-music.html

For Stewart Home’s (very critical) assessment of the pamphlet, see https://www.stewarthomesociety.org/ass/punk.htm

Ford 318. We locate 4 OCLC copies (Leeds, National Art Library, University of London Research Services, IISG), none of which of this particular edition.

 

Debord, Guy. Gérard Lebovici présente : In girum imus nocte et consumimur igni.  n.p. [Paris]: Simar Film, n.d. [1981] 38.4 x 51.5 cm. White ink on thick black stock.

Original film poster for Debord’s 1978 film In girum imus nocte et consumimur igni (95 min.; black and white) which was released in theaters three years later (1981). The title is borrowed from latin’s longest palindrome, which can be translated as “we turn round and round in the night and are consumed by fire.”

“The film opens with an excoriating attack on the cinema-going public and its world, and on conventional cinema itself. However, the bulk of the film is given over to Debord’s quite personal reflections on his life, loves and times, taking in his early pre-situationist years in the Sant-Germain-des-Prés district of Paris, the Situationist International, and the various European locales in which he lived after the dissolution of the International in 1972” (Ubuweb)

Several film scholars view the deeply autobiographical film as Debord’s most personal production. It was re-released as part of a boxed set of Debord’s complete cinematographic works by Gaumont in November 2005.

Full feature available online at Ubuweb

We locate no OCLC copy

EDIT: We have now located the larger (but identical poster), as shown below.

Debord, Guy. Gérard Lebovici présente : In girum imus nocte et consumimur igni.  n.p. [Paris]: Simar Film, n.d. [1981] 156 x 116 cm. White ink on thick black stock.

 

Rumney, Ralph and Berreby, Gerard. The cheque is not the money. Marseille: Editions Salon du Salon, 2016. Risograph print on A3 (29.7 x 42 cm.) Munchen Lynx Rough 150g paper. One of 50 signed and numbered copies.

Gerard Berreby’s homage to his friend Ralph Rumney, whom he visited regularly in his Manosque apartment while the two of them collaborated on Le Consul (Paris: Allia, October 1999). Once, then-bedridden Rumney asked for a small sum of money, and Berreby complied. In return, he received a small handwritten note with the following text: The cheque is not the money.

As Berreby notes, Rumney’s text is a clever allusion to Marcel Duchamp’s Tzanck Check in 1919: Out of money, Duchamp offered to pay his dentist with a handwritten check, stamped by him – a unique piece of art. The note also alludes to Korzybski’s celebrated The Map is not the Territory.

More than fifteen years later, Berreby  chose to enlarge the note and create a limited edition print.  It is available at http://editionsdusalon.com/047-g_berreby-R_rumney_the-cheque_salondusalon.htm