[STRARAM, Patrick]. [ORIGINAL PHOTOGRAPH] Take it All (A Tout Prendre). n.p.: n.p. [Canada], n.d. [1963]. 1 p.; 20.5 x 25.40 cm.; black ink on white photography stock.

Stunning portrait of a young (29-year old) Patrick Straram, from the film À tout prendre (released as All Things Considered in English Canada and as Take It All in the United States).

Born in Paris in 1934, Patrick Straram was a member of the Internationale Lettriste and a close (and early) friend of Guy Debord. He left the I.L. in 1954 when he fled to Canada to avoid military conscription He remained close to Debord for several, as attested by their warm letters. Straram released the Cahier pour un Paysage a Inventer in 1960, including both articles from the Situationist International and poems and critical texts by Quebec writers (Gaston Miron, Marie-France O’Leary, Paul-Marie Lapointe, Gilles Hénault, Serge Garant, Marcel Dubé…). He ultimately became an iconic figure of Quebec’s counterculture scene.

À tout prendre was a “semi-autobiographical portrait of Claude Jutra’s own life focusing on his romantic relationship with actress and model Johanne Harrelle, and his struggle to accept his own homosexuality”. More broadly speaking, the film offers a portrait of the young intellectual and artistic scene of early 1960s Montreal. Staram played the role of Nicholas, Harelle’s former husband. A tout prendre was well-received by critics and is considered a classic of Quebecois cinema. The film ends with an image of wall graffiti: “Quebec Libre”

A slightly different version of this photograph is preserved at the Cinematheque Quebecoise